The Dance of Ādi Śakti: The Goddess in the Songs of Bharati and Nazrul

C Subramania Bharati (1882-1921) and Kazi Nazrul Islam (1899-1976) were significant poet-songwriters of the Indian freedom struggle. Their works explore a wide range themes – political, philosophical, romantic devotional. Both poets educated in rāga music, which is prominent many their songs. wrote Tamil, while Bangla. It highly unlikely that they read or influenced by each other’s works. However, one finds several similarities poetry, especially importance given to goddess Ādi Śakti her various forms, Kālī particular. The plays major role national consciousness; yet, are not sectarian approach, believe strongly an inclusive nation. them criticize caste patriarchy, turn worship into revolutionary act. Neither was confined religion only deity, genre poetry. Bharati, Tamil Brahmin, challenged supremacy his own caste. Nazrul, who from Muslim family, sang songs Islamic Hindu devotion alike. occupies special place both hearts. Crucially, used religious imagery propelled music convey progressive liberationist ideals large public. My work comparative exploration first, my knowledge on goddess. I choose three broad aspects goddess: beauty within terrifying; as child daughter; Through these, examine points convergence musical interpretations works, influence contrasting cultural backgrounds, views women caste, how inspires contribute struggle for free India.